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Analog.

Ana­log

A hom­mage to vinyl

[found on swiss­miss]

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Have a slide.

bhxcom_img

BHX2: Awe­some slideshow effects ➟

(Bh)xII™ is a plat­form to chron­i­cle media that I dis­cover (usu­ally very late) and like. I also have a few unre­lated crafts/toys of my own tucked away in the back. This project was ini­ti­ated to help me med­i­tate on my own pref­er­ences; how­ever, I tried to trans­form it into some­thing fun that a passerby could browse for a “fix”.

Bad, that he uses tum­blr… But besides that a nice web­site con­cept, fea­tur­ing the not so pop­u­lar hor­i­zon­tal scrolling method, hot typog­ra­phy and exper­i­men­tal color com­bi­na­tions. Have a look.

[found on Cre­ative Jour­nal]

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Perfect: Power Pirate

02 — In Mind by pow­er­pi­rate

Power Pirate is DC’s youngest elec­tronic rock band, and they’re mak­ing head­lines for their unique sound, DIY phi­los­o­phy, and tech­ni­cal skill. The trio fuses 80s-style synths with hard rock drums and gui­tar to cre­ate a refresh­ing elec­tronic rock style. In early 2010, the group flew to Cal­i­for­nia to com­pete in a nation­wide teen music com­pe­ti­tion, from which they took home best gui­tarist, best key­boardist, 3rd place national rank­ing, a B.C. Rich endorse­ment, and an inter­view on NBC. Power Pirate then released their debut album, Plane Ticket, and pro­moted it at shows in DC, Mary­land, Vir­ginia, and New York. The Wash­ing­ton Post hails the album as “pol­ished beyond their years.”

And, wow, that descrip­tion really is com­pletely right. Hope­fully just already started lis­ten­ing to the embed­ded track, which is my cur­rent favorite of their debut album Plane Ticket (iTunes link), which was released on March 18, 2010. It is a funky, rock­ing mix­tures of elec­tron­ica, beat, rock and a min­i­mal dose of melan­cholic orches­tral pop. Their music fea­tures fast key­board inter­ludes, solid vocals and lickin’ gui­tar solos. Which is a damn high-leveled style for 16-year-olds. Keep an eye on them.

[found on Ultimate-Guitar.com]

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FontShop’s Favorites

FontShop selected the Best Fonts of 2010➟

The best-selling and most-blogged-about faces span the gamut from tra­di­tional to ground­break­ing, sober to spir­ited, and each one deserves a spot in the dis­cern­ing typographer’s palette.

My favorite serif out of this list: Museo
My favorite sans-serif: Sense and Sensibility

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Predicting the future is sometimes funny, sometimes serious.

View of 2011 from 1931 (Abnor­mal Use) ➟

This one is very inter­est­ing. Just try to for­mu­late fit­ting pre­dic­tions for the next decades and you will see what job these peo­ple had to do by giv­ing answers like

The pop­u­la­tion of the United States eighty years hence will be 160,000,000 and either sta­tion­ary or declin­ing, and will have a larger per­cent­age of old peo­ple than there is today. Tech­no­log­i­cal progress, with its expo­nen­tial law of increase, holds the key to the future. Labor dis­place­ment will pro­ceed even to auto­matic fac­to­ries. The magic of remote con­trol will be com­mon­place. [— William F. Ogborn]

[found on Sub­trac­tion]

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Completely Nonsense. But cool Nonsense.

The Non­sense Soci­ety — Art, Music, Culture… ➟

I like this one

On the morn­ing of Novem­ber 20, 2009 I woke up and rolled over to check my email. Hate mail. Wait a sec, hate mail?! I don’t get hate mail…
Sud­denly I felt extremely dis­cour­aged. I spent the rest of the day con­sid­er­ing destroy­ing the Non­sense Soci­ety, bleach­ing my hair, leav­ing the coun­try, and becom­ing a Mex­i­can pon­cho maker (Is that racist?). It was the worst I had felt in a long long time. A cou­ple hours later I took a look at my Analytics…

And this one:

I find film music espe­cially inspir­ing because (with film) the final result com­bines visual art, word (both writ­ten plot and spo­ken), and music. It’s a clash of cre­ativ­ity (and we all know how much I like that). Film & tele­vi­sion blow me away. I’d like to share some of my favorite com­po­si­tions from sound­tracks with you here.

[found on One­Mighty­Roar]

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