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All-Star Rock and Roll

I think the only one who is miss­ing up there is Mr. “Slow­hand” Clap­ton. All the other gui­tarists are the ones I adore the most. (By the way: That song was writ­ten in 1951)

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How Canon brought Color to Life

Canon Pixma: Bring­ing colour to life from Dentsu Lon­don on Vimeo.

A design process with an over­whelm­ing love to details and a very high level of perfectionism.

[via Cre­ative Jour­nal]

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Klavierstück X” by Karlheinz Stockhausen

Karl­heinz Stock­hausen (22 August 1928 – 5 Decem­ber 2007) was a Ger­man com­poser, widely acknowl­edged by crit­ics as one of the most impor­tant but also con­tro­ver­sial com­posers of the 20th and early 21st cen­turies. Another critic calls him “one of the great vision­ar­ies of 20th-century music”. He is known for his ground-breaking work in elec­tronic music, aleatory (con­trolled chance) in ser­ial com­po­si­tion, and musi­cal spatialization.

[Extract from Wikipedia]

I think this one is only inter­est­ing to those of you who like any kind of music and do not fear avant-garde and exper­i­men­tal approaches of com­po­si­tions. All the oth­ers, please stop read­ing now.

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Diagram of the Day.

Peo­ple who get paid to touch your junk.

[via Dar­ing Fire­ball]

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Typographer’s Philosophy

Mar­tin Majoor: My type design philosophy. ➟

In 1986 I grad­u­ated from the Acad­emy of Fine Arts, Arn­hem, with a serif type design called Serré. When I was given the oppor­tu­nity to dig­i­tize it at URW in Ham­burg in 1984, this became my first expe­ri­ence with com­put­ers. Serré was never released; but in hind­sight, I realise it has pro­vided the pre­lim­i­nary ground­work for my later type­faces. Sub­se­quently I designed four major type fam­i­lies – Scala, Tele­font, Seria and Nexus – adding new fea­tures with each new project. Yet, in all those years my ideas and prin­ci­ples about type design did not fun­da­men­tally change. Time for a per­sonal retrospective.

If you are an ambi­tious type designer or yet another lover of great typo­graph­i­cal work, you gotta read this one. Though writ­ten and edited 5 years ago, this essay has got a lot for you to learn and to think about. It’s not just a descrip­tion of Majoor’s work but also give a his­tor­i­cal les­son of typography.

[found inside of 8faces issue #2]

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Fonts in Use

Fonts in Use: Type at work in the real World. ➟

So much of design cri­tique is focused on graph­ics and pho­tog­ra­phy. It’s time to shed light on the most basic ele­ment of com­mu­ni­ca­tion: the type. At Fonts In Use we’ll cat­a­log and exam­ine real-world typog­ra­phy wher­ever it appears — brand­ing, adver­tis­ing, sig­nage, pack­ag­ing, pub­li­ca­tions, in print and online — with an empha­sis on the type­faces used.

And if this is just “a pro­logue of things to come” it is even more impres­sive work than it would be with­out any addi­tional con­tent. It fea­tures the use of spe­cific type­faces in print such as flyer designs or mag­a­zines. This arti­cle about a brochure series done for the His­toric Royal Palaces is a very good exam­ple of how well this blog is curated by type designer Stephen Coles.

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